How much appreciation is given to a work of art when it is shown on the area of a Liechtenstein KLAFTER (fathom) in Vaduz? Will the appreciation be different if the work of art is presented on a KLAFTER (fathom) in Venice?
As an element of the presence of the Principality of Liechtenstein during the Biennale Arte Venezia 2024, advertising posters for past exhibitions of YOLY's works will become a "one fathom large" presentation area on Venice soil as part of the "Mobile KLAFTER" project.
* In the Principality of Liechtenstein, the square Klafter was used to measure property areas until 2017. 1 m² corresponds to 0.278036 square Klafter, 1 square Klafter corresponds to 3.596652 m². The Klafter as a unit of length is therefore approx. 1,8965 m long.
YOLY's mobile Klafter on the leper island of Lazzaretto Vecchio, which is not open to the public
YOLY's mobile Klafter in front of the Liechtenstein Pavilion in Dorsoduro
YOLY's mobile Klafter in the exhibition «Welcome! A Palazzo for Immigrants»
YOLY's mobile Klafter in the Studio Berengo on Murano, where the art of great international artists is created
YOLY's mobile Klafter between the colorful houses in Via Paulo Fambri, where the silence lets creativity shine
YOLY's mobile Klafter in the Austrian Pavilion in the Gardini / Biennale di Venezia 2024
YOLY's mobile Klafter in front of the Swiss Pavilion in the Gardini / Biennale di Venezia 2024
Do the works presented become more valuable because they are shown on a KLAFTER (fathom) in Venice at the Biennale?
Does the appreciation of the work or its value increase if it repeatedly changes the location of the "exhibition Klafter", from miserable areas to trendy cities, from unknown places to important museums or world exhibitions?
How much appreciation does the work receive from the viewers? And does the artist himself also receive appreciation by the location of the KLAFTER (fathom) on which his works are shown?